Canon EOS C80 6K Full-Frame Cinema Camera + Canon RF 28-70mm f/2L USM

Bayswater, 2.7 mi

Owned by JRM Ventures LTD

4.8/5

Identified

Usually responds within a few hours

73% response rate

Bayswater 2.7 mi

Film and photography equipment is insured with no excess in the event of damage. Read more

Description

Canon EOS C80 hire in London with the RF 28-70mm f/2L — 6K full-frame cinema behind Canon's fastest standard zoom, in a Tilta cage. Available to hire in central London. This is the low-light pairing. The C80's third base ISO sits at 12,800 and the lens holds f/2 the whole way through, so between them you can shoot a candlelit interior or a night exterior clean without dragging a lighting package to the location. You get shallow depth of field at a zoom's convenience too. f/2 on full-frame at 70mm separates a subject the way a prime does, and you never take the lens off to get it. If you're choosing between this and my 24-105mm f/2.8 version of the same body, the rule of thumb is simple: this one for low light and separation, that one for reach and range. WHAT'S INCLUDED C80 body in a Tilta cage, RF 28-70mm f/2L USM, 256GB V90 SD card, spare BP-A60 battery and charger. Extra cards, batteries or accessories can be added — ask before booking. CAMERA Sensor: 6K full-frame back-illuminated CMOS Dynamic range: 16 stops Base ISO: triple, 800 / 3200 / 12,800 Recording: 12-bit Cinema RAW Light internal, 6K30 RAW Light LT Also: oversampled 4K up to 120p, 2K up to 180p, 4:2:2 10-bit Autofocus: Dual Pixel CMOS AF II Stabilisation: 5-axis Outputs: simultaneous 12G-SDI and HDMI Cards: two SD UHS-II slots Mount: Canon RF, adaptable to PL and EF LENS RF 28-70mm f/2L USM Constant f/2 across the range Iris: 9 blades Minimum focus: 0.39m Filter thread: 95mm Weight: around 1,430g WHAT PEOPLE HIRE IT FOR Narrative and short film. Music videos. Documentary in available light. Interviews where the background should fall away. Commercials and brand films. Any London night shoot where the budget won't stretch to lighting a whole street. MOUNTS AND GLASS RF native, and the mount adapts to PL and EF. My Cooke SP3s come in RF and go straight on; the DZOFilm Arles PL set works through an adapter. PACKING It goes out in a hard case or padded bag, like every cinema camera hire in London I do, with the best packing available on request.