RED Komodo 6K RAW Cam Canon 24-70mm f2.8 L II 5" Monitor Vocas Shoulder Tilta

Bow East, 4.9 mi

Owned by Cinecore P

4.73/5

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93% response rate

Bow East 4.9 mi

Film and photography equipment is insured with no excess in the event of damage. Read more

Description

1 x RED Komodo 6K Cinema Camera 1 x Canon 24-70mm f2.8 L II lens (more below) 1 x Vocas USBP-15 MKII + soft shoulder pad 1 x Tilta Nucleus-M Wireless Focus Control Handles 1 x Canon RF-EF Speedbooster x.71 or EF or PL Adapter 2 x 98 Wh Hypercore NEO Mini 9 14V V-Mount Batteries 1 x Core SWX V-Mount Plate 1 x 1TB CFast Card + Card Reader 1 x RED Approved BM5WR 5.5" HDMI/SDI Wireless Touchscreen Camera Control 1 x SDI-Protector-Galvanic-isolator BNC Male to Female Cable ***not to be removed*** 1 x ModernFilmTools Komodo Top Plate: • 5 pin connector for Timecode input with Genlock input via pin #4 allowing for TC & GEN input to camera with a single cable. (pin1: GND, pin-2: LTC-IN, pin-3: N/C, pin-4: GEN-IN, pin-5: LTC-OUT) • 3 pin run / stop trigger connector for standard run/stop cables and FIZ control systems. (pin1: GND, pin2: N/C, pin3: GPI) • 4 pin connector for RED CTRL (RCP2 / Komodo protocol) (pin-1: GND, pin-2: RX, pin-3: GPO, pin-4: TX) 1 x LW 15mm Baseplate + Lens support 2 x 15mm Rods (12”) Optional upgrades (get in contact for custom offer): • Choice of EF lenses for £15 extra each (please enquire) • Tilta MB-16 Lightweight Matte Box + VND Adapter £39 extra • 19.9MP Super35 Global Shutter CMOS • Compact, 2.1 lb All-in-One Design • Canon RF Lens & ARRI CFast 2.0 Support • 16+ Stops Dynamic Range • Up to 6K40, 5K48, 4K60 & 2K120 Recording • REDCODE RAW HQ/MQ/LQ & Apple ProRes • Integrated 2.9" 1440 x 1440 Touchscreen • Wireless Control & Preview via Wi-Fi • CFast 2.0 Card Slot; RED IPP2 Support • EF-to-RF Mechanical Adapter Included RED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and color science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production. The KOMODO firmware update Beta v.1.5.0 adds support for 6K anamorphic, 4-channel audio, FTPS for remote offloading, Canon RF lens-control ring support, and more. It also adds ExAscend CFast 512GB and 1TB cards to the approved media list. Revolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB/s. A top 2.9" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters. The use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus. A first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects. Getting back to image quality,